luni, 28 ianuarie 2008
Press release from OMG
BenQ separated in Benq and... QISDA
New Strategy Director for GMP
OMD is not in crisis... but people are leaving the company...
duminică, 27 ianuarie 2008
Don't trust him!
Smooth, groovy, unadventurous, solid R 'n' B… but is it worth it? I believe this one is not…
“Trust Me” was released November 2007 and is the fourth studio album from 26-year-old Craig Ashley David. His debut album from 2000, “Born To Do It”, which was released when he was only 19, stormed the charts with hits like “Rewind”, “Fill Me In” and “Seven Days”. Seven million copies sold all over the world got some interest in the US as well. But that interest soon has disappeared, since the following albums, “Slicker Than Your Average” and “The Story Goes” from 2005, failed to get the same interest. From 2005 till now silence. Some expected a complete withdraw. The question is not if he dropped the arrogance, the infatuation but if he managed to make changes in the way his music sounds.
How are the lyrics now?
Just two examples…
"I was waiting for your love, but you can only wait so long/I was hoping and praying you would see what was going on/Now we're standing here with open hearts/And I'm chained inside my world" - Awkward
"So hot she'll have you begging for more/And even hotter when her Victoria's Secrets drop to the floor. Hot like Elle, hot like getting down with Gisele/What the hell, hot like sex back at the hotel" - She's On Fire
Does he have some chances for the Grammies? I certainly hope not… Maybe a few nominations will come his way, but that’s it. The only good thing in the album is only his voice, as the flatness of all the rest doesn’t make it better. Probably, if Craig David didn’t sign it we wouldn’t have heard about this album.
The general sound is awful. The alert rhythm combined with some soul passages feels like a parody, there’s nothing to laugh there. Maybe the dance sound that he wishes to impose is frenetic, but somehow you get the impression it’s better to lie down. The voice is unquestionable; he is able to sing from R’n’B to reggae on this album, as well as a ballad. Still, the experiment fails this time. If that collaboration with Sting was great, no doubt about it, this time the production and music arrangement really step behind quite a few steps, despite Craig’s talent.
Maybe the best thing of this album is the fantastic turn of a newcomer in the song “Awkward”, the 17-year-old Rita Ora, discovered by the album producer Martin Terefe.
Everything else is R 'n' B-by-numbers: perfectly pleasant and resolutely uninspiring. However, banal lyrics and unimaginative production are consistently elevated by the quality of David's voice. While not incredible, it is extremely and consistently strong.
With a better team behind him and a clearer sense of musical direction, he could be just as good. Slicker than the average, certainly, but still not quite fulfilling the expectations raised by his remarkable debut.
vineri, 25 ianuarie 2008
Air...
When I watched some of the American Idol shows, I got the impression she was trying hard to impose herself. Self-learner, disciplined, she was accomplishing the goal that American idol producers wished for the show: getting the most of you with every week that passes by, moving on up. Somehow she appeared inconsistent if we’re thinking she performed a brilliant “I (who have nothing) “ from Whitney Houston’s songs but her breath fell apart when trying Bon Jovi’s “Living on a prayer”. The audience felt the potential in her, watching her improving performances every week.
Enthusiasm is what brought her the success everybody dreams of. With “Tattoo” she goes way in your soul. She’s like casting a spell somehow. I watched over and over again her coronation song from American Idol. Others refused to sing it, she did it with so much spirit and joy, with so high air and vocalizing it perfectly. She put that great performance on first position of her album and she gets to be the center of attention.
Maybe taking “One step at a time” was the successful formula but I can’t help admiring her for the way she struggled every week... The most deserved song she has on the album is, no doubt, “No air”. She practically gets to show that emotions have been dropped and her voice is strong, with an unique sound, having practically forgotten the doubts everybody had when listening her with that Bon Jovi song. The air is there, in this breathtaking duet with Chris Brown. He’s a couple of rungs higher than her on the maturity ladder, but it forces her to step up, as the melody is going back and forth like a seagull watched on a sunny day...
Dollar Bill...
After 3 years of silence and a great duo with Shakira,Wyclef Jean, ex-leader of The Fugees, makes a spectacular comeback at the end of 2007 with his sixth album, “The Carnival II: Memoirs of an Immigrant”. Starting with the title, cover and the general sound, this album is truly a continuance for his first album, “The Carnival I”.
From the very beginning I must say this is a very social issues album, in particular that of immigrants. The first single released from this album, “Sweetest girl”, expresses in a clear manner the problems of immigrants and if you watch the video (you can find it at the end of this post) you’ll have no doubt about it.
It’s an album showing the multi-genre nature of Wyclef’s sound. Maybe, as usual, the lyrical content is not as attractive as you might think, but the chancing and vibrant attention fives a solid start, from “Riot” to “China Wine”.
It’s not a classic hip-hop & R&B album, but it does have a strong sense of continuity that will keep you listening to it time after time. The sound feels good, you get absorbed by it and start moving your feet instantly... The tracks are radio friendly and enjoyable, except maybe for “Any other day” which is not quite from the same sound area, it will make you touch the “skip” button. Still, the songs are well produced and mastered, they have a strong musical line that is well defined. The creativeness that Wyclef & Co demonstrates with this album reminds of the extremely known signature of “The Fugees” sound.
There are tracks like “Hollywood meets Bollywood” where sounds from the UK Asian scene mix great together with the unmistakable vocals of “Chamillionaire” and create a special kind of “club-banger” which proves to be a favorite up-tempo from the record. Also, the collaborations that proved to be successful before tunes up the album, giving it powerful lyrics, smooth beats and magical vocals. It proves that Wyclef got it right this time, the album was worth waiting for. You can feel the tingles in your spine, always a good sing of a winner.
How a radio should sound these days?
Besides that, I somehow started listening the stations from US and I have one station that is worth listening to no matter the difference of time zone and the difference of culture. And that, ladies and gentlemen, is B96 – CBS radio station from Chicago. Whenever I hear “B96- WBBMFM radio” I am just happy... It is true that somehow I am bonded to this radio station in particular from a visit payed to the US, but no matter the spiritual bonding, these guys are something.
Just listen to them on b96.com .It’s worth it!
joi, 24 ianuarie 2008
I hate some photographers
They take some shots, say it's great, but when you start working you discover the resolution is not enough and so the argue begins...
For instance, they took the shoot too wide, the area that interests you is somewhere in the picture and when you crop it to the desired area, you discover the resolution is not enough. You get angry, ask the photographer about it and he/she says: “Use interpolation!” Geez... You interpolate, resample, but hey... that’s not enough too...
I miss the radio...
Got there, found my favorite radio mixer in the world, a Mackie, found the liberty of playing whatever I want without concerning about the money spent on royalties.
Still, something wasn’t feeling right... After a few sound checks, I wasn’t able to recognize my own voice. I was aware that after so many years my voice is different, but it didn’t sound like I was expecting. It was a Shure SM7B microphone and I was used to the standard SM58. There was two solutions: trying to accommodate my voice and put some inflexion into it in a way that would sound like it should or getting instantly a SM58, which I did. Ha-ha. SM58 being in place, everything sounded like it should.
I shouldn’t have done on air time. Doing it for some days made me realize but once you get to do it you always want to do it. Now I miss all that stuff, being on air and everything, the fever you’re experiencing when talking, playing music, having listeners on air and so on.
I mostly feel that what’s missing is the morning air show. God, I want it back...
Sometimes, reality is different...
Motive? Pure and simple, the man needed somebody for a dtp job.
Where? Even more simple, it was someone I met a year before. When I wasn't looking for a change of job.
I said first "Let's hear it!"
Afterwards I regretted it... Not only I wasn't truly interested, but I also was extremely annoyed about the way he presented things.
There's no such thing as "a perfect world". Instead, we have a diminished impression of what a job is, a vague impression we offer the best, an even more indistinguishable way of rewarding and keeping the things straight.
Question: Why do you call up a men for a job if you know you can't offer him more than he has?
Answer: Because you think you're convincing and your strategy is based only on feelings.
Bottom line: A business is on the point of collapsing if you ever think that feelings would make a man quit a job and come work for you without offering him better conditions.
After a year, present days I mean, I got a mail from the same man. I was just interested in hearing what he want's to say. I thought characters never change. I was right.